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An interview with Gerard Barreto, Recording Engineer, Glamour Studios, Chicago

HR – How did you get into being a recording engineer and what keeps you doing it?

G – When I was in high school, I worked sound for the theater program and I learned a lot about microphones and other technical things regarding audio engineering. My good friend Dave’s older brother Tom would always have recording equipment around their house with which Dave and I would make little sound pieces. Tom recorded a lot of interesting experimental things and it really piqued my interest. I then went to Columbia College Chicago and enrolled in the Recording Department.

I keep recording because I’m always aiming to get the best sound, out of the best instrument, played by the best artist, to make the best possible record.

HR – What’s your favorite part of recording music?

G – My favorite aspect of recording music or more specifically making a record is the mixing process. There’s something about taking multiple tracks of recorded instruments mixing each till it’s at the right level and making it a song; it’s magic to me.

HR – Has being a musician helped your recording skills at all? If so, how?

G – Yes! Being able to understand music is integral to making great records. Having musical knowledge let’s me know when I’m getting the best out of whomever I’m recording. It’s all about the performance, and knowing when you have a great one!

HR – What are some of your favorite albums in terms of production?

G – This list could go one for a very long time but I’ll do my best to minimize it;

Of course, Beach Boys, Pet Sounds and The Beatles. Pick a record and it’ll probably make my list

Bob Dylan, Nashville Skyline
Jimi Hendrix, Axis Bold as Love
Beck, Sea Change
Godspeed You! Black Emperor, F# A# ∞
Broken Social Scene, You Forgot It in People
The Walkmen, We’ve Been Had
Jim O’Rourke, Eureka
Smog, Dongs Of Sevotion
Weezer, Pinkerton

I’ll Stop there.

HR – Who inspires you?

G – This may sound cheesy, but honestly my friends and collaborators. I have to say they inspire me in the most tangible way because I get to see and experience what they do first hand, rather then read about it and imagine what it might be like to be there.

HR – What song or songs do you want played at your funeral?

G – This might be too on the head, but it’s the first thing that jumped out at me at the thought of the question.

Dress Sexy at My Funeral, Smog, off of “Dongs of Sevotion”

In addition to his work with Glamour Studios, Gerard is an accomplished musician currently playing with Love Raid and TCB (tiny cover band).He has, and continues, to make great contributions to the Chicago music scene.

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Spring Semester

Jun

3

2012

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8:00 PM, $12 suggested

The Hideout
1354 W Wabansia

Physics for Listeners: a Composers' Concert

Homeroom is excited to debut a new concert of commissioned music composed by some of Chicago’s best and most exciting musicians and composers. The idea behind the concert is to bring together composers from across Chicago’s jazz/improv and contemporary classical scenes to write for a single ensemble. It is an opportunity for audiences to hear new work by a broad range of composers. The concert not only pays composers to write a new piece, but also introduces them to other composers working in Chicago. Homeroom believes in the importance of supporting Chicago composers who write new and innovative music.

The composers include The composers include Matthew Dotson: guitar; Tim Daisy: drums and percussion; Jason Raynovich: cello; Katherine Young: bassoon; Tobin Summerfield: bass and guitar; and Dan Mohr: piano & voice.

 

Jun

7

2012

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8:00 PM, $10 suggested

Strobe Studios
2631 W Division

Physics for Listeners Recording Session

After debuting the concert at the Hideout on June 3rd, Homeroom will be recording Physics for Listeners at Strobe Studios as part of their Strobe Sessions series. We invite you to join the session. Please RSVP to strobesessions@gmail.com. The event is BYOB and is a great chance to get an intimate look at some of Chicago’s best composers and musicians in the recording studio.

The composers include Matthew Dotson: guitar; Tim Daisy: drums and percussion; Jason Raynovich: cello; Katherine Young: bassoon; Tobin Summerfield: bass and guitar; and Dan Mohr: piano & voice.

Photo by Krzysztof Penarski.

 

Jun

15

2012

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9:00 PM, $7 suggested

Elastic Arts
2830 N Milwaukee

Songwriter Showcase with Antony & the Tramps and Ramah Jihan

Antony & the Tramps and Ramah Jihan will be featured at Homeroom’s last event of the Spring Semester.

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